operations and undercurrents over * off paper

Saturday, January 3, 2015

sacrifices

I am not going to describe to you                      
water towers           the Rembrant
or the room    but maybe
the family of four     resting in the wall
a family of four     hiding in there

Took a video

My pale fingers find the drawer pull and click
I move to smooth   and to remember    that this is an art museum
It is making me do a dance
just sitting here        sort of working     on paper

I'm looking at the relaxed face of a woman
with a handgun in her purse
She parents gently                            evenly
as her daughter goes apeshit for a second

"We're all human. Give me the gun. All of these paintings
are worth shit when it comes down to life or death.
When it comes down to anything."

I was afraid of the photos at home
Fear makes people holy icons
Something sacred for some time, for now, later corrupted.

(I do flowers, tours, looking at families:
Its the little girls that break me up)

So comfort is the final stroke
a false wall from before
When I believed in something like something might come
When I wanted with a whole element
Made of me, me, me
You were there, in a sense
Unframed & out of joint, yet we
Connected in some way.

Justice is a human invention &
like so many of these       ineffectual
I am playing with violence in poetry
Because I am privileged to choose
It all looks like chaos apart from
The very tender      and the especially
concerned

I am not going to describe to you anything
surreal. I am trying not to abstract from this
role I occupy.

We cannot, through art or anything, remove our fantasy.

I am corrupt. I may be a killer. Stop. Come on.


Honestly, I wanted a child.

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